23 November 2009
While in San Francisco recently, I met someone who was not from New Orleans who was writing a novel in which the failure of the federal levees in New Orleans was an important incident. I promised to send him some names of books for background reading, particularly books by NOLA authors he might not come across otherwise.
It occurred to me that other nonlocal people may also be writing books that have scenes set in the new New Orleans. Writers can no longer rely on pre-Flood books or memories from vacation trips. The landscape has changed, the vocabulary has changed, the ethnic makeup of the city has changed, and even the attitudes of people have changed.
Here are a few suggestions for background reading for such writers.
1 Dead in Attic: After Katrina by Chris Rose. This book contains some of Rose’s daily columns in the Times-Picayune, which were a must-read for every New Orleanian in the months after the Flood.
Oral history by Dr. Bennett deBoisblanc (my pulmonologist and a hero of the Flood): http://thekatrinaexperience.net/?p=16. Other oral histories collected in the same project can be accessed from http://thekatrinaexperience.net/?cat=1.
Heart Like Water: Surviving Katrina and Life in Its Disaster Zone: A Memoir by Joshua Clark, a writer and publisher who stayed in his French Quarter apartment during and after the disaster.
Many people have published memoirs since the Flood. This link will take you to memoirs that Amazon.com sells.
If someone is going to write about the aftermath of the Flood, they’ll need to know something about the issues New Orleanians dealt with—mold, insurance claims, depression, unsafe water, financial disaster, lack of electricity, and finding a reputable contractor, among others. Here are a few links to brochures and Web pages.
“Repairing Your Flooded Home”
“Disaster Recovery: A Guide to Financial Issues”
“Picking Up the Pieces after a Disaster: Important Steps for Your Safe and Speedy Recovery”
“National Flood Insurance Program Flood Insurance Claims Handbook”
“Recovering from Disaster”
“A Brief Guide to Mold, Moisture, and Your Home”
“Treatment of Flood-Damaged Older and Historic Buildings”
Flood control and its failures in Louisiana
Bayou Farewell: The Rich Life and Tragic Death of Louisiana’s Cajun Coast by Mike Tidwell
Rising Tide: The Great Mississippi Flood of 1927 and How It Changed America by John M. Barry
The Storm: What Went Wrong and Why During Hurricane Katrina—The Inside Story from One Louisiana Scientist by Ivor van Heerden and Mike Bryan
Reportage on Hurricane Katrina
Many magazines had special issues or published picture books after the Flood. I was not impressed with Time magazine’s Hurricane Katrina: The Storm That Changed America.. Two that do seem good are:
Katrina: Why It Became a Man-made Disaster; Where It Could Happen Next, a special edition (undated) of National Geographic
Katrina: The Ruin and Recovery of New Orleans by the staff of the Times-Picayune
Spoiled by Tom Varisco. A tiny book of photographs of ruined refrigerators. Available from http://www.tomvariscodesigns.com/shop.html.
Come Hell or High Water: Hurricane Katrina and the Color of Disaster by Michael Eric Dyson. An analysis of the role race and social class played in the federal and public response to the Flood.
A.D.: New Orleans after the Deluge by Josh Neufeld. A graphic novel about the Flood.
This list is far from comprehensive; there have been a deluge of books about the Deluge. I’d welcome your suggestions for background reading for nonlocal writers.
13 November 2009
At last I have recuperated sufficiently from the 2009 World Fantasy Con to report on it. That fact alone should tell you I had a great time. So much went on that I wish I could have split myself into three or four people to take advantage of everything.
Never having experienced WFC before, I had expected a Con similar to the Baton Rouge and Los Angeles Cons I've been to—guys in Klingon costumes, lots of teeshirt and jewelry vendors, panels manned by unprepared people who learned of their panel assignments at the last minute. I was wrong. WFC was more like the Romance Writers of America yearly convention, only oriented even more strongly toward the professional writer.
The Con ran from 29 October to 1 November 2009 in San Jose, California, and I was impressed from the very beginning. Registration was organized and efficient—I love organization and efficiency, and they are usually all too lacking at Cons—and each registrant received a large bookbag stuffed full with magazines and books, many of them hardcovers. Wowie zowie! I collected more free publications at the giveaway table and came home with hundreds of dollars' worth of reading material.
Official events at WFC included an art show, a dealers' room whose vendors were primarily bookstores and publishers, a group autographing session, readings, panels, interviews, and a closing banquet followed by the World Fantasy Awards.
At least two panels were slotted for each time period, and often I wanted to go to all of them. A sampling: "Poe's Influence" (the theme of this year's WFC was the 200th anniversary of Edgar Allen Poe's birth), "The Role of the Raven," "Overlooked Early Writers of the Supernatural," "Why Steampunk Now?" "The Role of Religion in Contemporary Fantasy," and "What Makes a Good Monster," to name a few.
I sat on one panel, called "Writing Human Characters, Whether or Not They're Human," with David B. Coe, Kate Elliott, Laurel Ann Hill, and Kay Kenyon. According to the program description, we were to discuss "the challenges of writing relatable [sic] nonhuman characters in heroic and mythic fantasy...." In fact, though, we talked more about science fiction aliens than about vampires or other fantasy creatures.
The mass book signing was scheduled to last an exhausting three hours, but both autograph seekers and authors wandered away after about two hours. I talked to many people and sold and signed several books, so I consider the signing a success.
My goals for the conference were to network and to try not to buy too many books. I reluctantly skipped most of the panels and readings to go to parties and to hang out with my Clarion friends (which soon included the class of 2008) and their friends. Unlike RWA members at a conference, few WFC attendees had business cards. Thank goodness for Facebook! A flurry of "friending" after the Con means I'll remember names and faces for next year.
And yes, I do intend to go next year, when WFC lands in Columbus, Ohio, over Halloween weekend, and not only because I can visit my family in nearby Beavercreek. I'm already planning what to do differently to get even more value from the Con. Number 1 on the list: Get more sleep before and during the Con. This year, I was Zombie Woman by the end of the first day.
Think you might want to go to World Fantasy Con? Check out my brief post at the NovelSpaces blog on why you should attend next year.
04 November 2009
Kim Vandervort’s first novel, The Song and the Sorceress (Hadley Rille Books), debuted 15 August. This epic fantasy follows the adventures of a runaway princess and her companions as they seek to find and destroy a dangerous sorceress.
Welcome, Kim, and congratulations on publication of The Song and the Sorceress!
Thanks, Shauna! And thank you for having me!
What was your favorite part of writing The Song and the Sorceress?
This is a tough question, like being asked to choose between my children! However, I would have to say that my favorite part of writing Song was the process of discovery. While I always had a fairly solid idea of where the novel was headed, sometimes the novel would take an interesting turn that I had not anticipated, and it became a lot of fun to see where this new plot twist or idea would take me. These were the times when I almost felt more like a reader than a writer—I had to keep going because I wanted to know what would happen next!
Probably the best example of this I can point toward is when the Vequen appear. Like my characters, I had no idea they were there until they showed up. Once they did, I really wanted to know who these people were and what their culture was like, and I had a lot of fun with that piece of the story.
What writers have had the greatest influence on you?
First and foremost, Anne McCaffrey and her Dragonriders of Pern series. Not only was Dragonsinger one of the first fantasy novels I remember pulling off my school library shelf and absolutely loving, I also belonged to a Pern fanfic club through middle school and high school that gave me the opportunity to hone my burgeoning writing skills by writing and publishing short stories set in the Pern universe.
From there I became a huge fan of Piers Anthony, Steven Brust, Mercedes Lackey—anything I could pull off of my mom’s shelf at home. I absolutely ADORED David Eddings, and in later years, I became a huge Tolkien fan. I find something different to love in almost every fantasy I read, but I tend to gravitate toward well-drawn characters.
Are there certain themes or topics you’re drawn to in your writing?
Most of my main characters are fairly young—from adolescents to young adults—and a common theme seems to be the search for identity and belonging, something I think many young adults can identify with.
I also like my female characters to take a strong role in the story. As a young reader, I got tired of women relegated to the role of the love interest, the witch, the prostitute, or the damsel in distress; I wanted to see more heroines, with complex characters, the power to make their own choices, and the brains to work their own way out of a situation. So, much of my writing seems to explore these ideas.
What is your writing regimen? Would you recommend it to aspiring authors?
My writing regimen is all over the map! I wrote Song off and on for much of my life; I got the idea for Song when I was eleven and have played with it ever since. However, up until recently, writing was more of a hobby, something I could only do in my spare time.
Now that I have more books to finish and fans anxious for the next book, I try to write 1,000 words a day. Even if I don’t hit that goal, writing every day breaks the task into shorter, manageable doses and keeps my head in the story. I also try to not worry about the details while writing that first draft, as a lot of my best work comes from the revision process anyway. I would definitely recommend this tactic to aspiring authors, especially those who start well, but have trouble finishing a project of any length. The daily goals seem daunting at times, but help get me a lot closer to the end than writing in occasional bursts the night before my writer’s group ever did!
Do you have any other advice for my readers who are working on their first novels?
Revise, revise, revise! Don’t be afraid to cut or change what you’ve written, and don’t think that the book is done on the first, second, or even third draft. Find a writer’s group and go over the novel until you’re sick of it. Then, go over it again! The novel will never be perfect, but it needs to be well polished before it leaves the house. And revision has taught me more about writing than the process of drafting ever did.
When will your next book come out, and what will it be about?
My next book, which I will finish by the end of 2009, is tentatively entitled The Northern Queen and will continue Ki’leah’s adventures as she takes up her birthright as Queen of Si’vad.
Kim, thanks for visiting my blog, and good luck with your next book.
Thanks so much! And congratulations to you on the publication of your new novel!
You can learn more about Kim and The Song and the Sorceress by visiting her Website at http://www.kimvandervort.com/ and her blog at http://writerknv.livejournal.com/. Her book is available at Amazon.com (trade paperback, hardcover) and Barnes & Noble (trade paperback, hardcover) as well as by order from your favorite bookstore.